I did virtual photography extensively through the end of 2020 and the first half of 2021. For anyone who doesn't know: it's the practice of taking ...

I spent the whole of 2020 doing these abstracts. My colour palette choices came from noticing that the sun is a common metaphor for happiness in so...

This is a series of self portraits I did in 2020, using a variety of smartphone apps. Instagram stories are what I use as my sketchbook, as a rule,...

I did these paintings live at Tate Modern, in January 2020, during Tate Exchange: SALE. They ended up being the bridge between what I was focusing ...

This was a residency I did at ColArt through the end of 2019. The show of the final work was in the public-facing Window Galleries at the main entr...

TRIGGER WARNING. I made these in 2019, during a period when I was really struggling with my mental health again. I briefly tried affirmations as a ...

These are works I did using homemade graffiti markers filled with acrylics in 2018. I don't remember exactly why I was using them, but it was somet...

I ran weekly workshops in HMP Glen Parva and HMP Leicester with artist Kieran Walsh, on behalf of Soft Touch Arts, between 2015 and 2018. We also c...

Hostile architecture, for anyone who doesn't know, is usually anti-homeless in design. It's the metal spikes on the ground in doorways and the ceme...