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I did virtual photography extensively through the end of 2020 and the first half of 2021. For anyone who doesn't know: it's the practice of taking ...
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I spent the whole of 2020 doing these abstracts. My colour palette choices came from noticing that the sun is a common metaphor for happiness in so...
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This is a series of self portraits I did in 2020, using a variety of smartphone apps. Instagram stories are what I use as my sketchbook, as a rule,...
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I did these paintings live at Tate Modern, in January 2020, during Tate Exchange: SALE. They ended up being the bridge between what I was focusing ...
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This was a residency I did at ColArt through the end of 2019. The show of the final work was in the public-facing Window Galleries at the main entr...
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TRIGGER WARNING. I made these in 2019, during a period when I was really struggling with my mental health again. I briefly tried affirmations as a ...
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These are works I did using homemade graffiti markers filled with acrylics in 2018. I don't remember exactly why I was using them, but it was somet...
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I ran weekly workshops in HMP Glen Parva and HMP Leicester with artist Kieran Walsh, on behalf of Soft Touch Arts, between 2015 and 2018. We also c...
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Hostile architecture, for anyone who doesn't know, is usually anti-homeless in design. It's the metal spikes on the ground in doorways and the ceme...
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In 2017 and 2018 I assisted artist Jim Jackson, facilitating mural-painting sessions at the Bradgate Mental Health Unit on behalf of Soft Touch Art...
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I did three figurative acrylic paintings live at the second The Image Is The Servant show: Fearful, in 2015. Each time the show is on, it has a new...
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TRIGGER WARNING. This was in effect a residency at Soft Touch Arts between 2017/2018. My art studio was based at De Montfort University at the time...
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